Italijanski violinist Alessandro Quarta je portoroško občinstvo skupaj z I Filarmonici di Roma prek tornada čustev in strasti popeljal iz Pirana, mimo Rima do Buenos Airesa. Na notah Tartinija, Rote, Piovanija, Bacalova in Piazzolle je znova dokazal, da je lahko vsakič boljši kot prejšnjič. Domače občinstvo je glasbenike nagradilo s stoječimi ovacijami. S koncertom so organizatorji obeležili 126. obletnico postavitve spomenika Tartiniju na osrednjem piranskem trgu. Dogodek je potekal v okviru projekta Tartini 330 v letu, ki ga je vlada razglasila za Tartinijevo in Plečnikovo leto.
Portoroškemu občinstvu dobro poznan violinist, Alessandro Quarta, ki ga je je televizija CNN razglasila za glasbenega genija in ki je leta 2017 prejel nagrado za najbolj izstopajočega italijanskega mojstra na svetu, je na glasbenem področju doživel izjemen uspeh s skladbo Dorian Gray, ki jo je napisal, aranžiral in premierno izvedel v živo s plesalcem Robertom Bollejem. Portoroškemu občinstvu se je tudi tokrat zapisal v srce s filmsko glasbo in z dodatno izpiljenim Trilčkom.
Violinist, multiinstrumentalist in skladatelj Alessandro Quarta se je glasbeno razvil z znamenitimi svetovnimi dirigenti, kot so Lorin Maazel, Eliah Inbal, Charles Dutoit, Mstislav Rostropovich, MW Chung, Georges Prêtre, Zubin Mehta; z njimi je nastopil kot prva violina in igral v najprestižnejših svetovnih dvoranah med velikimi turnejami po Evropi, Ameriki, Kitajski, Japonski ter Bližnjem vzhodu. Kot violinist, skladatelj, multiinstrumentalist in aranžer trenutno sodeluje v mednarodnih projektih z Robertom Bollejem, solisti orkestra Berliner Philharmoniker in Državnega simfoničnega orkestra Rai iz Torina, z godalnim kvartetom Quartetto d’archi del Teatro alla Scala, s solisti orkestra Orchestra dell’Accademia Nazionale di Santa Cecilia, z Dee Dee Bridgewater, Mikom Sternom, skupino Il Volo, Jamesom Taylorjem, Amii Stewart, Toquinhom in številnimi drugimi mednarodnimi umetniki. Alessando Quarta igra na violino Alessandra Gagliana – redek inštrument iz leta 1723 (»ex Principe della famiglia Clelia Biondi«), na violino Giovannija Battiste Guadagninija, biser iz leta 1761, in na violini Ezia Di Labia, ki sta ju poslikala znameniti scenograf Emanuele Luzzati in pisatelj Pino Cacucci.
Komorni orkester I Filarmonici di Roma, ki se je prej imenoval Orchestra da camera di Santa Cecilia, že od svoje ustanovitve uživa veliko podporo strokovne kritike in občinstva. Koncertiral je pod vodstvom dirigentov, kot so Giulini, Sawallisch, Pretre, Metha, Zecchi in Menuhin, ter s solisti, kot so Milstein, Menuhin, Stefanato, Asciolla, Campanella, Vasary, Gazzelloni, Szeryng, Rostropovič, Rubinstein. Trenutno intenzivno sodeluje s solistom Utom Ughijem. Orkester ustvarja z najpomembnejšimi koncertnimi družbami in koncertira v humanitarne namene v sodelovanju z nevladno organizacijo Amnesty International, Združenjem za raziskave raka, Mati Terezijo in organizacijo FAO. Velikega pomena so tudi turneje v tujini, v državah, kot so Mehika, Kanada, Bližnji Vzhod, Španija, Indija, Grčija, države nekdanje Jugoslavije, Japonska, Tajska, Burma, Rusija, in sicer v moskovski prestižni dvorani Čajkovski ter v večjih ameriških mestih, kot sta Boston (koncert za Evropski parlament) in New York (v Lincoln centru in v koncertni dvorani Carnegie Hall). V zadnjem obdobju je orkester imel številne koncerte v podporo Ukrajincem ter miru, in sicer v Kvirinalski palači, za italijanski Rdeči križ ter za Evropski parlament ob praznovanju dneva Evrope. Orkester je na Kapitolskem griču od mesta Rim prejel zlato medaljo za izjemne in visokokakovostne koncertne prireditve tako v Italiji kot v tujini in plaketo Evropskega parlamenta z napisom: »Orkestru I Filarmonici di Roma, ki je izraz italijanske glasbe dvignil na najvišjo raven in jo ponesel v širni svet.«
Projekt Tartini330 nadaljuje program koncertov s Tartini Festivalom, mojstrskimi tečaji Massima Quarte, Simfonijo Kopra, koncertom Komornega orkestra Furlanije – Julijske krajine, Tartini 3l3ctr0nic in Accademio d’Archi Arrigoni. Zaključni koncert projekta bo predvidoma decembra, če bodo razmere za njegovo izvedbo ugodne.
Foto: Petar Litavsky
We firmly believe that the internet should be available and accessible to anyone, and are committed to providing a website that is accessible to the widest possible audience, regardless of circumstance and ability.
To fulfill this, we aim to adhere as strictly as possible to the World Wide Web Consortium’s (W3C) Web Content Accessibility Guidelines 2.1 (WCAG 2.1) at the AA level. These guidelines explain how to make web content accessible to people with a wide array of disabilities. Complying with those guidelines helps us ensure that the website is accessible to all people: blind people, people with motor impairments, visual impairment, cognitive disabilities, and more.
This website utilizes various technologies that are meant to make it as accessible as possible at all times. We utilize an accessibility interface that allows persons with specific disabilities to adjust the website’s UI (user interface) and design it to their personal needs.
Additionally, the website utilizes an AI-based application that runs in the background and optimizes its accessibility level constantly. This application remediates the website’s HTML, adapts Its functionality and behavior for screen-readers used by the blind users, and for keyboard functions used by individuals with motor impairments.
If you’ve found a malfunction or have ideas for improvement, we’ll be happy to hear from you. You can reach out to the website’s operators by using the following email
Our website implements the ARIA attributes (Accessible Rich Internet Applications) technique, alongside various different behavioral changes, to ensure blind users visiting with screen-readers are able to read, comprehend, and enjoy the website’s functions. As soon as a user with a screen-reader enters your site, they immediately receive a prompt to enter the Screen-Reader Profile so they can browse and operate your site effectively. Here’s how our website covers some of the most important screen-reader requirements, alongside console screenshots of code examples:
Screen-reader optimization: we run a background process that learns the website’s components from top to bottom, to ensure ongoing compliance even when updating the website. In this process, we provide screen-readers with meaningful data using the ARIA set of attributes. For example, we provide accurate form labels; descriptions for actionable icons (social media icons, search icons, cart icons, etc.); validation guidance for form inputs; element roles such as buttons, menus, modal dialogues (popups), and others. Additionally, the background process scans all of the website’s images and provides an accurate and meaningful image-object-recognition-based description as an ALT (alternate text) tag for images that are not described. It will also extract texts that are embedded within the image, using an OCR (optical character recognition) technology. To turn on screen-reader adjustments at any time, users need only to press the Alt+1 keyboard combination. Screen-reader users also get automatic announcements to turn the Screen-reader mode on as soon as they enter the website.
These adjustments are compatible with all popular screen readers, including JAWS and NVDA.
Keyboard navigation optimization: The background process also adjusts the website’s HTML, and adds various behaviors using JavaScript code to make the website operable by the keyboard. This includes the ability to navigate the website using the Tab and Shift+Tab keys, operate dropdowns with the arrow keys, close them with Esc, trigger buttons and links using the Enter key, navigate between radio and checkbox elements using the arrow keys, and fill them in with the Spacebar or Enter key.Additionally, keyboard users will find quick-navigation and content-skip menus, available at any time by clicking Alt+1, or as the first elements of the site while navigating with the keyboard. The background process also handles triggered popups by moving the keyboard focus towards them as soon as they appear, and not allow the focus drift outside of it.
Users can also use shortcuts such as “M” (menus), “H” (headings), “F” (forms), “B” (buttons), and “G” (graphics) to jump to specific elements.
We aim to support the widest array of browsers and assistive technologies as possible, so our users can choose the best fitting tools for them, with as few limitations as possible. Therefore, we have worked very hard to be able to support all major systems that comprise over 95% of the user market share including Google Chrome, Mozilla Firefox, Apple Safari, Opera and Microsoft Edge, JAWS and NVDA (screen readers), both for Windows and for MAC users.
Despite our very best efforts to allow anybody to adjust the website to their needs, there may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to